A day of participatory and collective performative artistic practices.
((((INTERFÉRENCE_S)))) _ sound substrate festival _ stands as the banner for research that self-differentiates and self-edits - a festival of the unpredictable, of decoding, led by artists who are trackers of buried realities and unsuspected sounds. It unfolds throughout the spaces of the Centre through an anarkhè-exhibition, as well as during the Intercession Days. These offer a way to extend the anarkhè-exhibition by putting it into tension, circulation, and vibration. They form its moments of condensation: instants when the works cease to be stabilized entities and become situations in the making, protocols of experience, collective ecologies. They take place, occupy, overflow..! PROGRAM ■ 6:30–7:00 p.m.: Hugo Vessiller- - Fonfreide | Sound performance in the gallery ■ 7:00–7:30 p.m.: Jérôme Grivel | VVV Performance (Viral Vociferating Variations), gallery presentation ■ 7:30–9:00 p.m.: Luc Avarguès | Participatory performance Les bas-côtés in the courtyard ■ 8:00–8:45 p.m.: Accou Laposte & Marjolein Guldentops | Sound and poetic performance in the theater ■ 9:00–10:00 p.m.: Hugo Livet alias Oiseaux Fantôme | Live set in the theater With PSYKONAUT – VIVANTE, Hugo Vaisselier-Fonfreide shifts the installation into a mode of activation where sound matter becomes organism. Traversed by distortions, saturated frequencies, and psychedelic layers, the performance unfolds a sensory continuum “from mud to the stars,” transforming the exhibition space into an unstable zone of resonance, crossed by breath, vibration, and the electricity of gesture. Jérôme Grivel’s 'VVV (Variations Vociférantes Virales)' activates through performance the recorded voices and vocalizations born from a participatory protocol, creating a living soundscape in the exhibition spaces. As part of the carte blanche given to the Soft Signal festival: Luc Avarguès presents Les bas-côtés, a mobile setup blending installation, performance, and shared food. The artist creates a relational situation based on encounter and attention to discreet forms of sociability. Meanwhile, at the crossroads of poetry, performance, and sound processing, Accou Laposte and Marjolein Guldentops develop a proposal based on the fragmentation of language and the transformation of voices. Using electronic devices and motion sensors, their performance brings unstable narrative forms and recomposing soundscapes into play. Finally, with Oiseaux Fantôme, a project by visual artist Hugo Live t, an electronic live set blending techno, acid house, and trance uses custom-designed MIDI controllers. Curated by Stéphanie Pécourt for the exhibition and for the Nuit Blanche program: Isabella D'Aprile & Lucie Legenre in synergy with Stéphanie Pécourt & the Soft Signals festival. ((((INTERFERENCE_S)))) In partnership with ((le son 7)) – sound art gallery, soft signals, SMOG, Rencontres Internationales Paris/Berlin, Nuit des Musées, Nuit Blanche With support from Pro Helvetia, Swiss Arts Council. Media partners: Mouvement, Fisheye, Les Inrockuptibles, Radio Nova, Libération, Artpress "
Source: paris.fr — photo: Aurélien Farina