Primitive techno performance - dance and bifurcation at the Hôtel de Sens
- Twilight: 7 p.m. >> 10 p.m. (electroacoustic loop) - First set, Andante: 10 p.m. - Second set, Allegro: 10:30 p.m. - Third set, Vivace: 11 p.m. - Final set, Presto: 11:30 p.m. Beatmakers: Set no. 1: Dalida Carnage (harp + electronics), Rosario (electronics), Set no. 2: Louison Audouard (electronics), Samuel Perier (guitar), Jonas Charles (drums), Set no. 3: Ici et Mnt* (electronics), Set no. 4: Éloi Petillon* (electronics), Léa Hassoun (vocals) Dancers: Appoline Gueguen-Caillie, Cassandra Thevenin, Cléa Salaris, Lee-Weï Faham, Mila Jeanne, Manon Le Meur, Roman Ramanick-Gallonde, Salomé Moreels, Sybille Hoffmann, Vadim, Lee Wei Associate choreographers, directed improvisations by Emmanuelle Duc, Marie Leca and Vivien Visentin Artistic direction: Paul Ramage Last Day(s): Philippe Diversy Last Day(s) is a transdisciplinary performance. In tune with our times, it questions human activity (social responsibility, ecological critique, etc.) in the age of the Anthropocene. This work consists of a Füssli, five metagraphies, a relic, an electro loop generated from Mozart's Mass in C minor, live soloists, dancers and actors from the CRR de Paris, and finally... tinnitus. Argument: 1783 marks the starting point of an acceleration. That year, Füssli painted Les trois sorcières, Mozart composed La Grande messe en Ut mineur, and Jouffroy d’Abbans launched his steamboat against the current on the Saône. A cheering crowd gathered on the banks and acclaimed the fifteen-minute sprint of this 150-ton machine. None of those taking part in the celebration realized that this boat was pulling the entire planet in its wake. The “Anthropocene” had begun. “Last Day(s)” traces this period and sounds its death knell. Program Metagraphy; Credits: Philippe Diversy
Price: Free admission subject to availability
Source: paris.fr — photo: Philippe Diversy / Ville de Paris